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DTSTART;TZID=America/Kentucky/Louisville:20260312T180000
DTEND;TZID=America/Kentucky/Louisville:20260312T200000
DTSTAMP:20260409T115210
CREATED:20260309T155156Z
LAST-MODIFIED:20260309T155156Z
UID:10002371-1773338400-1773345600@www.speedmuseum.org
SUMMARY:Billy Preston: That’s the Way God Planned It at Speed Cinema
DESCRIPTION:Billy Preston: That’s the Way God Planned It\nDirected by Paris Barclay \nThursday\, March 12\, 6 pm | BUY TICKETS \n$12 | $8 Speed and LPM members \n“An eye-opening look at the organ prodigy who fused with the Beatles and helped to forge funk . . . But as the documentary reveals\, Billy Preston was an elusive figure—ebullient and all there\, and also hidden and mysterious.”—Owen Gleiberman\, Variety \nFeaturing never-before-seen archival footage\, studio outtakes\, and rare photos\, Billy Preston: That’s the Way God Planned It is an exhilarating documentary about the legendary GRAMMY-winning musician whose signature sound shaped the work of The Beatles\, The Rolling Stones\, Ray Charles\, Sly Stone\, Aretha Franklin\, and countless others. \nBilly Preston was perhaps the most unsung musical hero of his time. Born in Houston\, Texas\, in 1946\, he arrived in Los Angeles with his family three years later. At just 5 years old\, he was backing gospel legend Mahalia Jackson. By age 10\, he was appearing with Ray Charles on film\, and by age 15\, he was touring with Little Richard in Hamburg\, Germany\, where he met Richard’s opening act — The Beatles. He would later perform and record with the biggest names in music\, including The Beatles\, The Rolling Stones\, Eric Clapton\, Barbra Streisand\, Johnny Cash\, Neil Diamond\, the Red Hot Chili Peppers\, and countless others. He generated his own unforgettable No. 1 hits\, including “Outa-Space\,” “Will It Go Round in Circles\,” “Nothing from Nothing\,” and “You Are So Beautiful” — and his first hit single in 1969\, on The Beatles’ Apple Records\, “That’s The Way God Planned It\,” produced by his lifelong friend\, George Harrison. \nBut Billy had quietly held secrets about his sexuality and early sexual abuse\, known to very few in his life\, which tormented him his entire life\, affecting not only his well-being and relationships but also influencing his career choices. It is the interweaving of these complicated aspects of this wonderful musician’s life with his extraordinary musical career that Emmy-winning director Paris Barclay has so thoughtfully crafted in this new documentary. 2025\, U.S.\, DCP\, 105 minutes. Recommended for 16+. \nCo-presented with WFPK
URL:https://www.speedmuseum.org/event/billy-preston-thats-the-way-god-planned-it-at-speed-cinema-3/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/BILLY_PRESTON-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260313T180000
DTEND;TZID=America/Kentucky/Louisville:20260313T200000
DTSTAMP:20260409T115210
CREATED:20260220T165753Z
LAST-MODIFIED:20260220T165753Z
UID:10002355-1773424800-1773432000@www.speedmuseum.org
SUMMARY:Sirāt at Speed Cinema
DESCRIPTION:Sirāt\nDirected by Oliver Laxe\n2026 Academy Award nominations – Best Sound\, Best International Feature \nFriday\, March 13\, 6 pm | BUY TICKETS \n$12 | $8 Speed members \n“It’s a reminder of what movies can do when they loosen the restraints of traditional narrative and remember that images are meant to evoke as much as they are to explain.”—Brian Tallerico\, RogerEbert.com \nA father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They are searching for Mar—daughter and sister—who vanished months ago at one of these endless\, sleepless parties. \nSurrounded by electronic music and a raw\, unfamiliar sense of freedom\, they hand out her photo again and again. Hope is fading\, but they push through and follow a group of ravers heading to one last party in the desert. \nAs they venture deeper into the burning wilderness\, the journey forces them to confront their own limits. Nominated for two Oscars—Best International Feature Film and Best Sound. 2025\, Spain/France\, DCP\, in Spanish\, French\, English\, and Arabic with English subtitles\, 115 minutes. Rated R.
URL:https://www.speedmuseum.org/event/sirat-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/Screenshot-2026-02-20-113631-e1771606664606.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260314T150000
DTEND;TZID=America/Kentucky/Louisville:20260314T170000
DTSTAMP:20260409T115210
CREATED:20260220T165844Z
LAST-MODIFIED:20260220T165844Z
UID:10002356-1773500400-1773507600@www.speedmuseum.org
SUMMARY:Sirāt at Speed Cinema
DESCRIPTION:Sirāt\nDirected by Oliver Laxe\n2026 Academy Award nominations – Best Sound\, Best International Feature \nSaturday\, March 14\, 3 pm | BUY TICKETS \n$12 | $8 Speed members \n“It’s a reminder of what movies can do when they loosen the restraints of traditional narrative and remember that images are meant to evoke as much as they are to explain.”—Brian Tallerico\, RogerEbert.com \nA father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They are searching for Mar—daughter and sister—who vanished months ago at one of these endless\, sleepless parties. \nSurrounded by electronic music and a raw\, unfamiliar sense of freedom\, they hand out her photo again and again. Hope is fading\, but they push through and follow a group of ravers heading to one last party in the desert. \nAs they venture deeper into the burning wilderness\, the journey forces them to confront their own limits. Nominated for two Oscars—Best International Feature Film and Best Sound. 2025\, Spain/France\, DCP\, in Spanish\, French\, English\, and Arabic with English subtitles\, 115 minutes. Rated R.
URL:https://www.speedmuseum.org/event/sirat-at-speed-cinema-2/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/Screenshot-2026-02-20-113631-e1771606664606.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260314T180000
DTEND;TZID=America/Kentucky/Louisville:20260314T200000
DTSTAMP:20260409T115210
CREATED:20260220T170007Z
LAST-MODIFIED:20260220T170007Z
UID:10002357-1773511200-1773518400@www.speedmuseum.org
SUMMARY:Sirāt at Speed Cinema
DESCRIPTION:Sirāt\nDirected by Oliver Laxe\n2026 Academy Award nominations – Best Sound\, Best International Feature \nSaturday\, March 14\, 6 pm | BUY TICKETS \n$12 | $8 Speed members \n“It’s a reminder of what movies can do when they loosen the restraints of traditional narrative and remember that images are meant to evoke as much as they are to explain.”—Brian Tallerico\, RogerEbert.com \nA father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They are searching for Mar—daughter and sister—who vanished months ago at one of these endless\, sleepless parties. \nSurrounded by electronic music and a raw\, unfamiliar sense of freedom\, they hand out her photo again and again. Hope is fading\, but they push through and follow a group of ravers heading to one last party in the desert. \nAs they venture deeper into the burning wilderness\, the journey forces them to confront their own limits. Nominated for two Oscars—Best International Feature Film and Best Sound. 2025\, Spain/France\, DCP\, in Spanish\, French\, English\, and Arabic with English subtitles\, 115 minutes. Rated R.
URL:https://www.speedmuseum.org/event/sirat-at-speed-cinema-3/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/Screenshot-2026-02-20-113631-e1771606664606.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260315T150000
DTEND;TZID=America/Kentucky/Louisville:20260315T170000
DTSTAMP:20260409T115210
CREATED:20260220T170051Z
LAST-MODIFIED:20260220T170051Z
UID:10002358-1773586800-1773594000@www.speedmuseum.org
SUMMARY:Sirāt at Speed Cinema
DESCRIPTION:Sirāt\nDirected by Oliver Laxe\n2026 Academy Award nominations – Best Sound\, Best International Feature \nSunday\, March 15\, 3 pm | BUY TICKETS \n$12 | $8 Speed members \n“It’s a reminder of what movies can do when they loosen the restraints of traditional narrative and remember that images are meant to evoke as much as they are to explain.”—Brian Tallerico\, RogerEbert.com \nA father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They are searching for Mar—daughter and sister—who vanished months ago at one of these endless\, sleepless parties. \nSurrounded by electronic music and a raw\, unfamiliar sense of freedom\, they hand out her photo again and again. Hope is fading\, but they push through and follow a group of ravers heading to one last party in the desert. \nAs they venture deeper into the burning wilderness\, the journey forces them to confront their own limits. Nominated for two Oscars—Best International Feature Film and Best Sound. 2025\, Spain/France\, DCP\, in Spanish\, French\, English\, and Arabic with English subtitles\, 115 minutes. Rated R.
URL:https://www.speedmuseum.org/event/sirat-at-speed-cinema-4/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/Screenshot-2026-02-20-113631-e1771606664606.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260320T180000
DTEND;TZID=America/Kentucky/Louisville:20260320T200000
DTSTAMP:20260409T115210
CREATED:20260220T172154Z
LAST-MODIFIED:20260220T172154Z
UID:10002359-1774029600-1774036800@www.speedmuseum.org
SUMMARY:The Elephant Man at Speed Cinema
DESCRIPTION:New 4K Restoration \nThe Elephant Man\nDirected by David Lynch \nFriday\, March 20\, 6 pm | BUY TICKETS \n$12 | $8 Speed members \n“From deep beneath layers of latex makeup\, Hurt inhabits a highly specific physical and behavioral characterization\, while also conveying the essential\, universal loneliness of the human soul.”—Adam Nayman\, The Ringer \nWith this poignant second feature\, David Lynch brought his atmospheric visual and sonic palette to a notorious true story set in Victorian England. When the London surgeon Frederick Treves (Anthony Hopkins) meets the freak-show performer John Merrick (John Hurt)\, who has severe skeletal and soft-tissue deformities\, he assumes that he must be intellectually disabled as well. As the two men spend more time together\, though\, Merrick reveals the intelligence\, gentle nature\, and profound sense of dignity that lie beneath his shocking appearance\, and he and Treves develop a friendship. Shot in gorgeous black and white and boasting a stellar supporting cast that includes Anne Bancroft\, John Gielgud\, and Wendy Hiller\, The Elephant Man was nominated for eight Academy Awards\, cementing Lynch’s reputation as one of American cinema’s most visionary talents. 1980\, U.S.\, DCP\, 123 minutes. Rated PG.
URL:https://www.speedmuseum.org/event/the-elephant-man-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/ElephantMan_image_04-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260321T130000
DTEND;TZID=America/Kentucky/Louisville:20260321T143000
DTSTAMP:20260409T115210
CREATED:20260220T183815Z
LAST-MODIFIED:20260220T183815Z
UID:10002363-1774098000-1774103400@www.speedmuseum.org
SUMMARY:Exhibition on Screen: Turner & Constable at Speed Cinema
DESCRIPTION:Exhibition on Screen \nTurner & Constable\nDirected by David Bickerstaff \nSaturday\, March 21\, 1 pm | BUY TICKETS \n$12 | $10 Speed members \nCelebrating the 250th anniversary of their births\, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition. \nTwo of Britain’s greatest painters\, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other\, both used landscape painting to reflect the changing world around them. Tate Britain is bringing these two greats together for a groundbreaking exhibition\, in London from November 2025 to April 2026\, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen. Discover unexpected sides to both artists with intimate views of sketchbooks and personal items and insights from leading experts. \nTurner’s blazing sunsets and sublime scenes from his travels and Constable’s idealized depictions of beloved places from home whipped the public of the time into a frenzy of enthusiasm. Constable represents the very best of the old school of realism and pastoral nostalgia; Turner\, an exciting new way of depicting emotion and dreamlike impressions. Critics compared their starkly different styles to a clash of ‘fire and water’. Don’t miss this opportunity to see these greats side-by-side\, as they so often were in life\, on the big screen for the first time. 2025\, U.K.\, DCP\, 90 minutes. Recommended for 12+.
URL:https://www.speedmuseum.org/event/exhibition-on-screen-turner-constable-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/13-TC-Lachlan-Goudie-©-David-Bickerstaff-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260321T150000
DTEND;TZID=America/Kentucky/Louisville:20260321T163000
DTSTAMP:20260409T115210
CREATED:20260220T175256Z
LAST-MODIFIED:20260220T175256Z
UID:10002361-1774105200-1774110600@www.speedmuseum.org
SUMMARY:The Missing Pieces at Speed Cinema
DESCRIPTION:The Missing Pieces\nDirected by David Lynch \nSaturday\, March 21\, 3 pm | BUY TICKETS \n$12 | $8 Speed members \nThe Missing Pieces compiles deleted and alternative takes from the film Twin Peaks: Fire Walk with Me\, as assembled by David Lynch. In the town of Twin Peaks\, everyone has their secrets—but especially Laura Palmer (Sheryl Lee). In the prequel to his groundbreaking 1990s television series\, David Lynch resurrects the teenager found wrapped in plastic at the beginning of the show\, following her through the last week of her life and teasing out the enigmas that surround her murder. Homecoming queen by day and drug-addicted thrill seeker by night\, Laura leads a double life that pulls her deeper and deeper into horror as she pieces together the identity of the assailant who has been terrorizing her for years. 2014\, U.S.\, DCP\, 90 minutes. Recommended for 16+.
URL:https://www.speedmuseum.org/event/the-missing-pieces-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/Missing-Pieces-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260321T180000
DTEND;TZID=America/Kentucky/Louisville:20260321T200000
DTSTAMP:20260409T115210
CREATED:20260220T172320Z
LAST-MODIFIED:20260319T171318Z
UID:10002360-1774116000-1774123200@www.speedmuseum.org
SUMMARY:The Elephant Man at Speed Cinema
DESCRIPTION:New 4K Restoration \nThe Elephant Man\nDirected by David Lynch \nSaturday\, March 21\, 6 pm | BUY TICKETS – LOW TICKET ALERT \n$12 | $8 Speed members \n“From deep beneath layers of latex makeup\, Hurt inhabits a highly specific physical and behavioral characterization\, while also conveying the essential\, universal loneliness of the human soul.”—Adam Nayman\, The Ringer \nWith this poignant second feature\, David Lynch brought his atmospheric visual and sonic palette to a notorious true story set in Victorian England. When the London surgeon Frederick Treves (Anthony Hopkins) meets the freak-show performer John Merrick (John Hurt)\, who has severe skeletal and soft-tissue deformities\, he assumes that he must be intellectually disabled as well. As the two men spend more time together\, though\, Merrick reveals the intelligence\, gentle nature\, and profound sense of dignity that lie beneath his shocking appearance\, and he and Treves develop a friendship. Shot in gorgeous black and white and boasting a stellar supporting cast that includes Anne Bancroft\, John Gielgud\, and Wendy Hiller\, The Elephant Man was nominated for eight Academy Awards\, cementing Lynch’s reputation as one of American cinema’s most visionary talents. 1980\, U.S.\, DCP\, 123 minutes. Rated PG.
URL:https://www.speedmuseum.org/event/the-elephant-man-at-speed-cinema-2/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/ElephantMan_image_04-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260322T130000
DTEND;TZID=America/Kentucky/Louisville:20260322T143000
DTSTAMP:20260409T115210
CREATED:20260220T183839Z
LAST-MODIFIED:20260220T183839Z
UID:10002364-1774184400-1774189800@www.speedmuseum.org
SUMMARY:Exhibition on Screen: Turner & Constable at Speed Cinema
DESCRIPTION:Exhibition on Screen \nTurner & Constable\nDirected by David Bickerstaff \nSunday\, March 22\, 1 pm | BUY TICKETS \n$12 | $10 Speed members \nCelebrating the 250th anniversary of their births\, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition. \nTwo of Britain’s greatest painters\, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other\, both used landscape painting to reflect the changing world around them. Tate Britain is bringing these two greats together for a groundbreaking exhibition\, in London from November 2025 to April 2026\, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen. Discover unexpected sides to both artists with intimate views of sketchbooks and personal items and insights from leading experts. \nTurner’s blazing sunsets and sublime scenes from his travels and Constable’s idealized depictions of beloved places from home whipped the public of the time into a frenzy of enthusiasm. Constable represents the very best of the old school of realism and pastoral nostalgia; Turner\, an exciting new way of depicting emotion and dreamlike impressions. Critics compared their starkly different styles to a clash of ‘fire and water’. Don’t miss this opportunity to see these greats side-by-side\, as they so often were in life\, on the big screen for the first time. 2025\, U.K.\, DCP\, 90 minutes. Recommended for 12+.
URL:https://www.speedmuseum.org/event/exhibition-on-screen-turner-constable-at-speed-cinema-2/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/13-TC-Lachlan-Goudie-©-David-Bickerstaff-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260325T180000
DTEND;TZID=America/Kentucky/Louisville:20260325T193000
DTSTAMP:20260409T115210
CREATED:20260311T160102Z
LAST-MODIFIED:20260323T152701Z
UID:10002372-1774461600-1774467000@www.speedmuseum.org
SUMMARY:Nosferatu X Radiohead at Speed Cinema
DESCRIPTION:Silents Synced \nNosferatu X Radiohead\nDirected by F. W. Murnau \nWednesday\, March 25\, 6 pm | SOLD OUT \n$12 | $8 Speed and LPM members \nNosferatu: A Symphony of Horror\, F.W. Murnau’s celebrated silent-era vampire film\, has been given new life for the 21st century: It’s returning to theaters with its orchestral classical score replaced by Radiohead’s dense and moody albums Kid A and Amnesiac. Few people have actually heard the original Hans Erdmann score since much of it was lost; later shows either built off what remained or created new orchestral scores. Nosferatu X Radiohead\, marks the debut of Silents Synced\, a series that marries classic silent films with alternative rock. 1922\, Germany\, DCP\, 90 minutes. \nCo-presented with WFPK.
URL:https://www.speedmuseum.org/event/nosferatu-x-radiohead-at-speed-cinema-2/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/Nosferatu1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260326T180000
DTEND;TZID=America/Kentucky/Louisville:20260326T193000
DTSTAMP:20260409T115210
CREATED:20260220T204622Z
LAST-MODIFIED:20260309T144001Z
UID:10002365-1774548000-1774553400@www.speedmuseum.org
SUMMARY:Nosferatu X Radiohead at Speed Cinema
DESCRIPTION:Silents Synced \nNosferatu X Radiohead\nDirected by F. W. Murnau \nThursday\, March 26\, 6 pm | SOLD OUT \n$12 | $8 Speed and LPM members \nNosferatu: A Symphony of Horror\, F.W. Murnau’s celebrated silent-era vampire film\, has been given new life for the 21st century: It’s returning to theaters with its orchestral classical score replaced by Radiohead’s dense and moody albums Kid A and Amnesiac. Few people have actually heard the original Hans Erdmann score since much of it was lost; later shows either built off what remained or created new orchestral scores. Nosferatu X Radiohead\, marks the debut of Silents Synced\, a series that marries classic silent films with alternative rock. 1922\, Germany\, DCP\, 90 minutes. \nCo-presented with WFPK.
URL:https://www.speedmuseum.org/event/nosferatu-x-radiohead-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/Nosferatu1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260327T180000
DTEND;TZID=America/Kentucky/Louisville:20260327T203000
DTSTAMP:20260409T115210
CREATED:20260220T213617Z
LAST-MODIFIED:20260220T213617Z
UID:10002366-1774634400-1774643400@www.speedmuseum.org
SUMMARY:Sound of Falling at Speed Cinema
DESCRIPTION:Sound of Falling\nDirected by Mascha Schilinski\n \nFriday\, March 27\, 6 pm | BUY TICKETS \n$12 | $8 Speed members \n“Mascha Schilinski’s superb feature is a masterclass in ethereal\, unnerving brilliance.”—Damon Wise\, Deadline \nIn Mascha Schilinski’s transcendent Sound of Falling\, fragments from a hundred years in one farmhouse coalesce into a cinematic flood of memory. \nGermany’s shortlisted Best International Feature Film entry to the 98th Academy Awards® tracks the lives of four adolescent girls (Alma\, Erika\, Angelika\, Lenka) across the last century – their desires and distress\, their secrets and truths\, their encounters with another’s gaze and defiant gaze in return. Though separated by time\, far-reaching resonances emerge as echoes of experience linger. \nSensual and sensory\, this awe-inducing Cannes prizewinner invites audiences to witness an eternal summer\, a constant now\, and ask: what is looking back at us from the past – or perhaps even from the future? 2025\, Germany\, DCP\, in German with English subtitles\, 155 minutes. Recommended for 17+.
URL:https://www.speedmuseum.org/event/sound-of-falling-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/SOF_©FabianGamper_StudioZentral_Still_8-scaled-e1771623368866.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260328T150000
DTEND;TZID=America/Kentucky/Louisville:20260328T173000
DTSTAMP:20260409T115210
CREATED:20260220T213638Z
LAST-MODIFIED:20260220T213638Z
UID:10002367-1774710000-1774719000@www.speedmuseum.org
SUMMARY:Sound of Falling at Speed Cinema
DESCRIPTION:Sound of Falling\nDirected by Mascha Schilinski\n \nSaturday\, March 28\, 3 pm | BUY TICKETS \n$12 | $8 Speed members \n“Mascha Schilinski’s superb feature is a masterclass in ethereal\, unnerving brilliance.”—Damon Wise\, Deadline \nIn Mascha Schilinski’s transcendent Sound of Falling\, fragments from a hundred years in one farmhouse coalesce into a cinematic flood of memory. \nGermany’s shortlisted Best International Feature Film entry to the 98th Academy Awards® tracks the lives of four adolescent girls (Alma\, Erika\, Angelika\, Lenka) across the last century – their desires and distress\, their secrets and truths\, their encounters with another’s gaze and defiant gaze in return. Though separated by time\, far-reaching resonances emerge as echoes of experience linger. \nSensual and sensory\, this awe-inducing Cannes prizewinner invites audiences to witness an eternal summer\, a constant now\, and ask: what is looking back at us from the past – or perhaps even from the future? 2025\, Germany\, DCP\, in German with English subtitles\, 155 minutes. Recommended for 17+.
URL:https://www.speedmuseum.org/event/sound-of-falling-at-speed-cinema-2/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/SOF_©FabianGamper_StudioZentral_Still_8-scaled-e1771623368866.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260328T180000
DTEND;TZID=America/Kentucky/Louisville:20260328T193000
DTSTAMP:20260409T115210
CREATED:20260220T215332Z
LAST-MODIFIED:20260220T215332Z
UID:10002368-1774720800-1774726200@www.speedmuseum.org
SUMMARY:Natchez at Speed Cinema
DESCRIPTION:Natchez\nDirected by Suzannah Herbert \nSaturday\, March 28\, 6 pm | BUY TICKETS \n$12 | $8 Speed members \n“A piercing portrait of a Mississippi town’s Antebellum tourism industry.” — Ross McIndoe\, Slant \nNatchez captures an unsettling clash between history and memory in a small Mississippi town; a layered mosaic of people contending with the weight of the past in a place where it is always present. Equal parts amusing and disturbing\, we journey through an antebellum tourist destination at a crossroads as it grapples with a deeply troubled history that is so thoroughly ingrained in its present\, we’re left to wonder if it’s actually past at all. 2025\, U.S.\, DCP\, 86 minutes.
URL:https://www.speedmuseum.org/event/natchez-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/NATCHEZ_Noah-Collier_1_FINAL-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260329T123000
DTEND;TZID=America/Kentucky/Louisville:20260329T143000
DTSTAMP:20260409T115210
CREATED:20260223T173444Z
LAST-MODIFIED:20260311T165533Z
UID:10002370-1774787400-1774794600@www.speedmuseum.org
SUMMARY:Small Change (L’argent de poche) at Speed Cinema
DESCRIPTION:2026 UofL French Film Festival \nSmall Change (L’argent de poche)\nDirected by François Truffaut \nSunday\, March 29\, 12:30 pm CINEMA + | BUY TICKETS \n$12 | $8 Speed and Alliance Française members| Free for UofL students\, faculty\, and staff \n“Francois Truffaut’s series of sketches on the general theme of the resilience of children turns out to be that rarity – a poetic comedy that’s really funny.”—Pauline Kael\, The New Yorker \nToo long absent from the big screen\, Small Change is one of Truffaut’s most poetic and personal films\, a radiant celebration of the world of childhood. Through a series of loosely connected vignettes in a small city in southern France\, a group of children\, from infants to adolescents\, experience the joys and trials of being young. “Children exist in a state of grace\,” as a young mother observes. “They pass untouched through dangers that would destroy an adult.” 1976\, France\, 35mm\, in French with English subtitles\, 104 minutes. Rated PG. \nCINEMA+ with an introduction and post-screening discussion.
URL:https://www.speedmuseum.org/event/small-change-largent-de-poche-at-speed-cinema/
CATEGORIES:Cinema+,Cinema
ATTACH;FMTTYPE=image/webp:https://www.speedmuseum.org/wp-content/uploads/Argent_de_poche_Copyright_Helene_Jeanbreau_4.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260329T153000
DTEND;TZID=America/Kentucky/Louisville:20260329T170000
DTSTAMP:20260409T115210
CREATED:20260220T215352Z
LAST-MODIFIED:20260220T215352Z
UID:10002369-1774798200-1774803600@www.speedmuseum.org
SUMMARY:Natchez at Speed Cinema
DESCRIPTION:Natchez\nDirected by Suzannah Herbert \nSunday\, March 29\, 3:30 pm | BUY TICKETS \n$12 | $8 Speed members \n“A piercing portrait of a Mississippi town’s Antebellum tourism industry.” — Ross McIndoe\, Slant \nNatchez captures an unsettling clash between history and memory in a small Mississippi town; a layered mosaic of people contending with the weight of the past in a place where it is always present. Equal parts amusing and disturbing\, we journey through an antebellum tourist destination at a crossroads as it grapples with a deeply troubled history that is so thoroughly ingrained in its present\, we’re left to wonder if it’s actually past at all. 2025\, U.S.\, DCP\, 86 minutes.
URL:https://www.speedmuseum.org/event/natchez-at-speed-cinema-2/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/NATCHEZ_Noah-Collier_1_FINAL-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260402T180000
DTEND;TZID=America/Kentucky/Louisville:20260402T193000
DTSTAMP:20260409T115210
CREATED:20260319T195127Z
LAST-MODIFIED:20260319T202747Z
UID:10002376-1775152800-1775158200@www.speedmuseum.org
SUMMARY:Dont Look Back at Speed Cinema
DESCRIPTION:Dont Look Back\nDirected by D. A. Pennebaker \nThursday\, April 2\, 6 pm | BUY TICKETS \n$12 | $8 Speed and LPM members \n“Both a great concert movie and an amazing documentary of the mid-60s cutting edge pop culture.”—Michael Wilmington\, Chicago Tribune \nBob Dylan is captured on-screen as he never would be again in this groundbreaking film from D. A. Pennebaker. The legendary documentarian finds Dylan in England during his 1965 tour\, which would be his last as an acoustic artist. In this wildly entertaining vision of one of the twentieth century’s greatest artists\, Dylan is surrounded by teen fans\, gets into heated philosophical jousts with journalists\, and kicks back with fellow musicians Joan Baez\, Donovan\, and Alan Price. \nFeaturing some of Dylan’s most famous songs\, including “Subterranean Homesick Blues\,” “The Times They Are A-Changin’\,” and “It’s All Over Now\, Baby Blue\,” Dont Look Back is a radically conceived portrait of an American icon that has influenced decades of vérité behind-the-scenes documentaries. 1967\, U.S.\, DCP\, 96 minutes. Recommended for 15+ \nCo-presented with WFPK. Bob Dylan will appear in concert Monday\, April 6 at the Louisville Palace.
URL:https://www.speedmuseum.org/event/dont-look-back-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/28655id_180_primary_w1600.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260403T180000
DTEND;TZID=America/Kentucky/Louisville:20260403T200000
DTSTAMP:20260409T115210
CREATED:20260323T145906Z
LAST-MODIFIED:20260323T145906Z
UID:10002379-1775239200-1775246400@www.speedmuseum.org
SUMMARY:Days and Nights in the Forest sat Speed Cinema
DESCRIPTION:Days and Nights in the Forest\nDirected by Satyajit Ray \nSaturday\, April 3\, 6 pm | BUY TICKETS \n$12 | $8 Speed members \n“Packed with cultural references and sly satire\, this is also a hugely entertaining comic romp.”—David Parkinson\, Empire Magazine \nAdapted from Sunil Gangopadhyay’s celebrated 1968 novel\, Days and Nights in the Forest is one of director Satyajit Ray’s greatest achievements\, a modern search for connection that conjures the timeless resonance of a folktale. \nDesperate to flee Calcutta’s rat race\, four friends—Ashim (Soumitra Chatterjee)\, Sanjoy (Subhendu Chatterjee)\, Hari (Samit Bhanja)\, and Shekhar (Rabi Ghosh)—drive to Palamu\, one of India’s rural “tribal lands\,” where they bribe a watchman into letting them stay at a sylvan guesthouse. Despite vowing to get away from it all\, the crew soon mixes with the locals\, including a woodland family: the soulful yet mischievous Aparna (Sharmila Tagore) takes to the overconfident Ashim\, while her widowed sister-in-law Jaya (Kaberi Bose) grows closer to the bookish Sanjoy. At the same time\, Hari\, fresh off a break-up\, woos a Santal girl named Duli (Simi Garewal); and Shekhar\, despite his own penchant for gambling\, tries to rein in his companions’ boozy hedonism. \nFilled with some of Ray’s most indelible characterizations and lavish images (shot by longtime cinematographer Soumendu Roy)\, Days and Nights in the Forest touches on masculine vulnerabilities and Indian class divisions with the graceful complexity of a master at his peak. 1970\, India\, 4K DCP\, in Bengali with English subtitles\, 116 minutes. Recommended for 14+. \nThese screenings will include a theatres-only pre-recorded introduction from director Wes Anderson. \nRestored in 4K in 2025 by The Film Foundation’s World Cinema Project and Film Heritage Foundation in collaboration with Janus Films – The Criterion Collection at L’Immagine Ritrovata laboratory\, from the original camera and sound negatives provided by Purnima Dutta and the magnetic track preserved by BFI National Archive. Funding provided by the Golden Globe Foundation. Special thanks to Wes Anderson and Sandip Ray.
URL:https://www.speedmuseum.org/event/days-and-nights-in-the-forest-sat-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/DaysAndNightsInForest_image_01-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260403T180000
DTEND;TZID=America/Kentucky/Louisville:20260403T200000
DTSTAMP:20260409T115210
CREATED:20260319T212227Z
LAST-MODIFIED:20260325T200035Z
UID:10002377-1775239200-1775246400@www.speedmuseum.org
SUMMARY:Serpent’s Path (1998) and Chime (2024) at Speed Cinema
DESCRIPTION:Serpent’s Path (1998) and Chime (2024)\nDirected by Kiyoshi Kurosawa \nFriday\, April 3\, 6 pm | BUY TICKETS \n$12 | $8 Speed members \nA masterclass in escalating dread and shocking violence\, Chime reaffirms Kiyoshi Kurosawa as one of modern horror’s most innovative and unpredictable visionaries. During a class\, culinary instructor Matsuoka (Mutsuo Yoshioka) witnesses the suicide of a young student (Seiichi Kohinata)\, driven to insanity by what he claims is a chiming sound that controls his mind. Soon\, Matsuoka begins hearing it\, too\, and descends into a mental abyss that warps his perception of reality and gives vent to his darkest impulses. Expertly blending psychological portraiture and hallucinatory mystery\, Kurosawa offers a chilling depiction of madness that interrogates the very stability of our everyday existence\, with the director’s patented creeping tracking shots and complex sound design fashioning an immersively terrifying and unnerving cinematic experience. 2024\, Japan\, DCP\, in Japanese with English subtitles\, 45 minutes. \nStraight off Cure (1997)\, his international breakthrough\, Kiyoshi Kurosawa directed two low-budget films using the same basic premise and the same lead actor (Sho Aikawa) to completely different ends. The experiment first resulted in Serpent’s Path (1998\, later remade in 2024)\, a dark gangland thriller with philosophical overtones. Obsessed with avenging his young daughter’s murder\, yakuza subordinate Miyashita (Teruyuki Kagawa) recruits Nijima (Aikawa)\, a brilliant yet strangely detached math teacher\, to help carry out a scheme to kidnap and torture the man allegedly responsible. But the plan goes awry when their target\, Otsuki (Yurei Yanagi)\, fingers another mobster as the mastermind behind Miyashita’s tragedy. As the two partners ascend the yakuza chain of command in search of the true culprit\, Miyashita and Nijima follow the cold\, calculating logic of revenge\, descending into a moral abyss from which they may never surface. Featuring Kurosawa’s patented long takes and his claustrophobic arrangement of space\, Serpent’s Path is one of the legendary director’s most chilling investigations into the endless cycle of violence and the evil that lodges in every heart. 1998\, Japan\, DCP\, in Japanese with English subtitles\, 85 minutes. Recommended for 17+.  Total running time: 130 minutes.
URL:https://www.speedmuseum.org/event/chime-and-serpents-path-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/SerpentsPath_image_04-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260404T150000
DTEND;TZID=America/Kentucky/Louisville:20260404T170000
DTSTAMP:20260409T115210
CREATED:20260323T145947Z
LAST-MODIFIED:20260323T145947Z
UID:10002380-1775314800-1775322000@www.speedmuseum.org
SUMMARY:Days and Nights in the Forest sat Speed Cinema
DESCRIPTION:Days and Nights in the Forest\nDirected by Satyajit Ray \nSunday\, April 4\, 3 pm | BUY TICKETS \n$12 | $8 Speed members \n“Packed with cultural references and sly satire\, this is also a hugely entertaining comic romp.”—David Parkinson\, Empire Magazine \nAdapted from Sunil Gangopadhyay’s celebrated 1968 novel\, Days and Nights in the Forest is one of director Satyajit Ray’s greatest achievements\, a modern search for connection that conjures the timeless resonance of a folktale. \nDesperate to flee Calcutta’s rat race\, four friends—Ashim (Soumitra Chatterjee)\, Sanjoy (Subhendu Chatterjee)\, Hari (Samit Bhanja)\, and Shekhar (Rabi Ghosh)—drive to Palamu\, one of India’s rural “tribal lands\,” where they bribe a watchman into letting them stay at a sylvan guesthouse. Despite vowing to get away from it all\, the crew soon mixes with the locals\, including a woodland family: the soulful yet mischievous Aparna (Sharmila Tagore) takes to the overconfident Ashim\, while her widowed sister-in-law Jaya (Kaberi Bose) grows closer to the bookish Sanjoy. At the same time\, Hari\, fresh off a break-up\, woos a Santal girl named Duli (Simi Garewal); and Shekhar\, despite his own penchant for gambling\, tries to rein in his companions’ boozy hedonism. \nFilled with some of Ray’s most indelible characterizations and lavish images (shot by longtime cinematographer Soumendu Roy)\, Days and Nights in the Forest touches on masculine vulnerabilities and Indian class divisions with the graceful complexity of a master at his peak. 1970\, India\, 4K DCP\, in Bengali with English subtitles\, 116 minutes. Recommended for 14+. \nThese screenings will include a theatres-only pre-recorded introduction from director Wes Anderson. \nRestored in 4K in 2025 by The Film Foundation’s World Cinema Project and Film Heritage Foundation in collaboration with Janus Films – The Criterion Collection at L’Immagine Ritrovata laboratory\, from the original camera and sound negatives provided by Purnima Dutta and the magnetic track preserved by BFI National Archive. Funding provided by the Golden Globe Foundation. Special thanks to Wes Anderson and Sandip Ray.
URL:https://www.speedmuseum.org/event/days-and-nights-in-the-forest-sat-speed-cinema-2/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/DaysAndNightsInForest_image_01-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260404T150000
DTEND;TZID=America/Kentucky/Louisville:20260404T170000
DTSTAMP:20260409T115210
CREATED:20260319T212251Z
LAST-MODIFIED:20260325T200020Z
UID:10002378-1775314800-1775322000@www.speedmuseum.org
SUMMARY:Serpent’s Path (1998) and Chime (2024) at Speed Cinema
DESCRIPTION:Serpent’s Path (1998) and Chime (2024)\nDirected by Kiyoshi Kurosawa \nSaturday\, April 4\, 3 pm | BUY TICKETS \n$12 | $8 Speed members \nA masterclass in escalating dread and shocking violence\, Chime reaffirms Kiyoshi Kurosawa as one of modern horror’s most innovative and unpredictable visionaries. During a class\, culinary instructor Matsuoka (Mutsuo Yoshioka) witnesses the suicide of a young student (Seiichi Kohinata)\, driven to insanity by what he claims is a chiming sound that controls his mind. Soon\, Matsuoka begins hearing it\, too\, and descends into a mental abyss that warps his perception of reality and gives vent to his darkest impulses. Expertly blending psychological portraiture and hallucinatory mystery\, Kurosawa offers a chilling depiction of madness that interrogates the very stability of our everyday existence\, with the director’s patented creeping tracking shots and complex sound design fashioning an immersively terrifying and unnerving cinematic experience. 2024\, Japan\, DCP\, in Japanese with English subtitles\, 45 minutes. \nStraight off Cure (1997)\, his international breakthrough\, Kiyoshi Kurosawa directed two low-budget films using the same basic premise and the same lead actor (Sho Aikawa) to completely different ends. The experiment first resulted in Serpent’s Path (1998\, later remade in 2024)\, a dark gangland thriller with philosophical overtones. Obsessed with avenging his young daughter’s murder\, yakuza subordinate Miyashita (Teruyuki Kagawa) recruits Nijima (Aikawa)\, a brilliant yet strangely detached math teacher\, to help carry out a scheme to kidnap and torture the man allegedly responsible. But the plan goes awry when their target\, Otsuki (Yurei Yanagi)\, fingers another mobster as the mastermind behind Miyashita’s tragedy. As the two partners ascend the yakuza chain of command in search of the true culprit\, Miyashita and Nijima follow the cold\, calculating logic of revenge\, descending into a moral abyss from which they may never surface. Featuring Kurosawa’s patented long takes and his claustrophobic arrangement of space\, Serpent’s Path is one of the legendary director’s most chilling investigations into the endless cycle of violence and the evil that lodges in every heart. 1998\, Japan\, DCP\, in Japanese with English subtitles\, 85 minutes. Recommended for 17+.  Total running time: 130 minutes.
URL:https://www.speedmuseum.org/event/chime-and-serpents-path-at-speed-cinema-2/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/SerpentsPath_image_04-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260408T180000
DTEND;TZID=America/Kentucky/Louisville:20260408T193000
DTSTAMP:20260409T115210
CREATED:20260323T155107Z
LAST-MODIFIED:20260323T155107Z
UID:10002381-1775671200-1775676600@www.speedmuseum.org
SUMMARY:Chungking Express at Speed Cinema
DESCRIPTION:Deeper Viewing/Urban Intimacies \nChungking Express\nDirected by Wong Kar Wai \nWednesday\, April 8\, 6 pm | BUY TICKETS \n$12 | $8 Speed members | Free for UofL students\, faculty\, and staff \nThe whiplash\, double-pronged Chungking Express is one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar Wai an instant icon. \nTwo heartsick Hong Kong cops (Takeshi Kaneshiro and Tony Leung)\, both jilted by ex-lovers\, cross paths at the Midnight Express take-out restaurant stand\, where the ethereal pixie waitress Faye (Faye Wong) works. \nAnything goes in Wong’s gloriously shot and utterly unexpected charmer\, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas and the Papas’ “California Dreamin’” into tokens of romantic longing. 1994\, Hong Kong\, 4K DCP\, in Cantonese with English subtitles\, 102 minutes. Recommended for 16+. \nCo-presented with the Department of English\, UofL and featuring a post-screening discussion led by Assistant Professors Laura Tscherry and Savannah Trent\, with special guest Zikai Pang (Indiana University)\, an expert on urban spaces in contemporary Chinese cinema. \nUrban Intimacies is a four-part screening and conversation series presented by Tscherry and Trent. The series brings together films about urban encounters and their consequences\, to trace how representation of the city and its inhabitants have changed over time and cultural contexts\, an examines how these encounters can contribute to our understanding of the complex interplay of race\, class\, sexuality\, and space in homemaking and kinmaking.
URL:https://www.speedmuseum.org/event/chungking-express-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/226id_447_0006_226id_467-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260410T180000
DTEND;TZID=America/Kentucky/Louisville:20260410T193000
DTSTAMP:20260409T115210
CREATED:20260323T185808Z
LAST-MODIFIED:20260323T185808Z
UID:10002382-1775844000-1775849400@www.speedmuseum.org
SUMMARY:Nadja at Speed Cinema
DESCRIPTION:Almereyda X 2/4K Restoration \nNadja\nDirected by Michael Almereyda \nFriday\, April 10\, 6 pm | BUY TICKETS \n$12 | $8 Speed members \n“Michael Almereyda’s insanely brilliant fantasia on the Dracula legend.”—Hal Hinson\, Washington Post \nMerging elements from Dracula’s Daughter (1936) with André Breton’s surrealist novel Nadja (1928)\, and fusing shimmering black-and-white 35mm with hallucinatory Pixelvision video\, Michael Almereyda’s (Tesla\, Experimenter\, Hamlet) acclaimed cult film centers on New York-based vampire Nadja (Elina Löwensohn) as she draws close to her twin brother Edgar (Jared Harris) following their father’s death at the hands of Dr. Van Helsing (Peter Fonda). \nEdgar’s private nurse (Suzy Amis)\, Van Helsing’s nephew Jim (Martin Donovan)\, and Jim’s wife (Galaxy Craze) are entangled in the story as the vampire killer pursues “the fiend” from Manhattan to Transylvania. \nThe film was executive produced by David Lynch and the restoration was conducted from the 35mm answer print that was screened at the Toronto International Film Festival in 1994—three minutes longer than the commercial release. 1994\, U.S.\, 4K DCP\, 93 minutes. Recommended for 16+.
URL:https://www.speedmuseum.org/event/nadja-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/Nadja_008-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260411T150000
DTEND;TZID=America/Kentucky/Louisville:20260411T163000
DTSTAMP:20260409T115210
CREATED:20260323T185828Z
LAST-MODIFIED:20260323T185828Z
UID:10002383-1775919600-1775925000@www.speedmuseum.org
SUMMARY:Nadja at Speed Cinema
DESCRIPTION:Almereyda X 2/4K Restoration \nNadja\nDirected by Michael Almereyda \nSaturday\, April 11\, 3 pm | BUY TICKETS \n$12 | $8 Speed members \n“Michael Almereyda’s insanely brilliant fantasia on the Dracula legend.”—Hal Hinson\, Washington Post \nMerging elements from Dracula’s Daughter (1936) with André Breton’s surrealist novel Nadja (1928)\, and fusing shimmering black-and-white 35mm with hallucinatory Pixelvision video\, Michael Almereyda’s (Tesla\, Experimenter\, Hamlet) acclaimed cult film centers on New York-based vampire Nadja (Elina Löwensohn) as she draws close to her twin brother Edgar (Jared Harris) following their father’s death at the hands of Dr. Van Helsing (Peter Fonda). \nEdgar’s private nurse (Suzy Amis)\, Van Helsing’s nephew Jim (Martin Donovan)\, and Jim’s wife (Galaxy Craze) are entangled in the story as the vampire killer pursues “the fiend” from Manhattan to Transylvania. \nThe film was executive produced by David Lynch and the restoration was conducted from the 35mm answer print that was screened at the Toronto International Film Festival in 1994—three minutes longer than the commercial release. 1994\, U.S.\, 4K DCP\, 93 minutes. Recommended for 16+.
URL:https://www.speedmuseum.org/event/nadja-at-speed-cinema-2/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/Nadja_008-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260411T180000
DTEND;TZID=America/Kentucky/Louisville:20260411T193000
DTSTAMP:20260409T115210
CREATED:20260323T191636Z
LAST-MODIFIED:20260323T191636Z
UID:10002384-1775930400-1775935800@www.speedmuseum.org
SUMMARY:John Lilly and the Earth Coincidence Control Office at Speed Cinema
DESCRIPTION:Almereyda X 2 \nJohn Lilly and the Earth Coincidence Control Office\nDirected by Michael Almereyda and Courtney Stephens \nSaturday\, April 11\, 6 pm | BUY TICKETS \n$12 | $8 Speed members \n“An illuminating work of cultural archaeology.”—The Film Stage \nThe daring experimenter Dr. John C. Lilly dedicated his life to radical self-investigation and unlocking the mysteries of consciousness and communication. “My body is my laboratory” was the motto\, and his research on the language of dolphins and whales – as well as psychedelics and sensory deprivation – assured his own cult status in 20th-century pop culture as the basis for Ken Russel’s Altered States and Mike Nichols’s The Day of the Dolphin. \nDirectors Michael Almareyda and Courtney Stephens\, along with narrator Chloë Sevigny\, explore the life of a determined scientist and his experiments into the psychonautical unknown. 2025\, U.S.\, DCP\, 89 minutes. Recommended for 16+.
URL:https://www.speedmuseum.org/event/john-lilly-and-the-earth-coincidence-control-office-at-speed-cinema/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/Lilly-TIFF-Dolphin-microphone-e1774293384866.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260412T150000
DTEND;TZID=America/Kentucky/Louisville:20260412T163000
DTSTAMP:20260409T115210
CREATED:20260323T191702Z
LAST-MODIFIED:20260323T191702Z
UID:10002385-1776006000-1776011400@www.speedmuseum.org
SUMMARY:John Lilly and the Earth Coincidence Control Office at Speed Cinema
DESCRIPTION:Almereyda X 2 \nJohn Lilly and the Earth Coincidence Control Office\nDirected by Michael Almereyda and Courtney Stephens \nSunday\, April 12\, 3 pm | BUY TICKETS \n$12 | $8 Speed members \n“An illuminating work of cultural archaeology.”—The Film Stage \nThe daring experimenter Dr. John C. Lilly dedicated his life to radical self-investigation and unlocking the mysteries of consciousness and communication. “My body is my laboratory” was the motto\, and his research on the language of dolphins and whales – as well as psychedelics and sensory deprivation – assured his own cult status in 20th-century pop culture as the basis for Ken Russel’s Altered States and Mike Nichols’s The Day of the Dolphin. \nDirectors Michael Almareyda and Courtney Stephens\, along with narrator Chloë Sevigny\, explore the life of a determined scientist and his experiments into the psychonautical unknown. 2025\, U.S.\, DCP\, 89 minutes. Recommended for 16+.
URL:https://www.speedmuseum.org/event/john-lilly-and-the-earth-coincidence-control-office-at-speed-cinema-2/
CATEGORIES:Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/Lilly-TIFF-Dolphin-microphone-e1774293384866.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260415T180000
DTEND;TZID=America/Kentucky/Louisville:20260415T183000
DTSTAMP:20260409T115210
CREATED:20260323T202505Z
LAST-MODIFIED:20260323T202505Z
UID:10002386-1776276000-1776277800@www.speedmuseum.org
SUMMARY:She Dared to Dream: Ayanna Pressley at Speed Cinema
DESCRIPTION:Deeper Viewing\nShe Dared to Dream: Ayanna Pressley \nDirected by Abby Ginzberg \nWednesday\, April 15\, 6 pm CINEMA + | BUY TICKETS \n$8 | $6 Speed members | Free for UofL students\, faculty\, and staff \nAyanna Pressley is not only a Congresswoman\, but also an advocate\, a policymaker\, an activist\, and a survivor. In 2018\, Ayanna was elected to represent Massachusetts’ 7th Congressional District in the U.S. House of Representatives\, making her the first woman of color to be elected to Congress from the Commonwealth of Massachusetts. Ayanna believes that ‘the people closest to the pain should be closest to the power’ and that a diversity of voices in the political process is essential to crafting more effective public policy.  Ayanna was also the first woman of color elected to the Boston City Council in 2009. \nIn Congress\, Ayanna has been dedicated to bold\, activist leadership introducing legislation to ensure fair compensation for low-wage workers\, supporting survivors of sexual assault and harassment\, and to fundamentally reimagining our criminal legal system. She has been a vocal advocate on behalf of immigrant communities\, fighting for and securing the release of Ruymesa Ozturk from ICE detention\, fighting to protect critical reproductive rights and has been an outspoken opponent of Project 2025 from its inception. \nAs She Dared to Dream reveals\, Ayanna Pressley has demonstrated courage in living authentically speaking openly about alopecia and rejecting imposed beauty standards—making her story resonate far beyond politics. It is about representation\, visibility\, and the power of authenticity. 2025\, U.S.\, DCP\, 28 minutes. Recommended for 12+. \nCo-presented with the PanAfrican Studies Department\, UofL. \n \nCINEMA + with a post-screening discussion.
URL:https://www.speedmuseum.org/event/she-dared-to-dream-ayanna-pressley-at-speed-cinema/
CATEGORIES:Cinema+,Cinema
ATTACH;FMTTYPE=image/jpeg:https://www.speedmuseum.org/wp-content/uploads/GettyImages-1306715908-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20260416T180000
DTEND;TZID=America/Kentucky/Louisville:20260416T193000
DTSTAMP:20260409T115210
CREATED:20260323T205816Z
LAST-MODIFIED:20260325T200846Z
UID:10002387-1776362400-1776367800@www.speedmuseum.org
SUMMARY:My Neighbor Totoro (Japanese language version) at Speed Cinema
DESCRIPTION:Essential Cinema \nMy Neighbor Totoro\n(Japanese language version)\nDirected by Hayao Miyazaki \nThursday\, April 16\, 6 pm | BUY TICKETS \n$12 | $8 Speed members \n“This inspirationally lovely and gentle film has a real claim to be Miyazaki’s masterpiece.”—Peter Bradshaw\, The Guardian \nThis acclaimed animated tale by director Hayao Miyazaki follows schoolgirl Satsuke and her younger sister\, Mei\, as they settle into an old country house with their father and wait for their mother to recover from an illness in an area hospital. \nAs the sisters explore their new home\, they encounter and befriend playful spirits in their house and the nearby forest\, most notably the massive cuddly creature known as Totoro. 1988\, Japan\, DCP\, in Japanese with English subtitles\, 86 minutes. Rated G. \nNOTE: The English-dubbed version of My Neighbor Totoro is playing as part of Speed Family Film + Fun\, on April 11\, which includes snacks for the film and a family art-making activity after the screening. More information and tickets are available here.
URL:https://www.speedmuseum.org/event/my-neighbor-totoro-at-speed-cinema/
CATEGORIES:Cinema
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DTSTART;TZID=America/Kentucky/Louisville:20260417T180000
DTEND;TZID=America/Kentucky/Louisville:20260417T193000
DTSTAMP:20260409T115210
CREATED:20260324T173843Z
LAST-MODIFIED:20260324T173843Z
UID:10002388-1776448800-1776454200@www.speedmuseum.org
SUMMARY:The Christophers at Speed Cinema
DESCRIPTION:The Christophers\nDirected by Steven Soderbergh \nFriday\, April 17\, 6 pm | BUY TICKETS \n$12 | $8 Speed members \n“A crackling original drama about artistic legacy in all its facets.”—Peter Debruge\, Variety \nSteven Soderbergh (Sex\, Lies\, and Videotape) directs this cheeky tale of art forgery\, ambition\, caustic critique\, and greed grounded in striking performances by Ian McKellen and Michaela Coel. \nJulian Sklar (McKellen) was once a star of London’s 1960’s and 70’s pop art explosion\, but he hasn’t painted in decades and has been broke for years. \nHis two estranged children (James Corden and Jessica Gunning)\, desperate for an inheritance\, hire Lori (Coel)\, an art restorer and former forger\, to pose as a prospective assistant in order to access eight unfinished portraits of a former lover named Christopher that Julian has buried deep in storage. Her plan is to complete them\, then return them to storage\, where they are to be “discovered” upon Julian’s death. 2025\, U.K.\, DCP\, 100 minutes. Rated R.
URL:https://www.speedmuseum.org/event/the-christophers-at-speed-cinema/
CATEGORIES:Cinema
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